By Max Allan Collins
The newspapers dubbed her The Black Dahlia. Nathan Heller knew her-intimately- as Elizabeth brief. to find the identification of the fiend who destroyed her, Heller needs to lay naked the terrifying fact in the back of Hollywood's make-believe facade.
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Christ, Fowley, I don’t wanna follow you on some wild goose—” But he was already turning south on Crenshaw; next it was east on 39th, where he started to crawl through the barren war-zone landscape of vacant lots, some of which were staked off every thirty feet or so. Traffic was nil. “Pretty wide-open spaces,” Fowley said. “See that lot over there? ” “There she is,” I said, pointing to a bare white foot in the weeds. Fowley slowed, craned his neck. ” “I don’t think so,” I said. There’d been no sign of whoever called it in to the cops; not surprising a citizen would take a pass on getting involved in the likes of this.
She covered her mouth, clearly queasy. ” Nobody bothered answering—not that anybody had an answer. I didn’t have one, either, but I figured I better break the ice, just the same. Better I make myself known than wait to be noticed. ” She turned to me blankly; then recognition narrowed her eyes and she smiled, faintly, shaking her head, saying, “Nate Heller. ” Without mentioning I’d played photographer, I told her I’d been tagging along with Fowley for a meeting at the Examiner, to get some ink for my new partnership with Fred Rubinski.
The Penguin Putnam Inc. , 375 Hudson Street, New York, New York 10014. SIGNET and the “S” design are trademarks belonging to Penguin Putnam Inc. Electronic edition: February 2002 By Max Allan Collins: The Memoirs of Nathan Heller: Angel in Black Majic Man Flying Blind Damned in Paradise Blood and Thunder Carnal Hours Dying in the Postwar World Stolen Away Neon Mirage The Million-Dollar Wound True Crime True Detective In memory of Nate Heller’s Second City friend Del Close dark angel of comedy Although the historical incidents in this novel are portrayed more or less accurately (as much as the passage of time, and contradictory source material, will allow), fact, speculation, and fiction are freely mixed here; historical personages exist side by side with composite characters and wholly fictional ones—all of whom act and speak at the author’s whim.