By David D. Busch
Images and Photoshop move hand in hand. if you happen to suppose there is not sufficient images within the commonplace Photoshop e-book, and there's not adequate Photoshop within the common images publication, then the publication you are looking for is true on your arms. no matter if you're a electronic or traditional digicam buff, this full-color ebook is the correct consultant for diving into an important components of Photoshop CS. research Photoshop from a photographer's standpoint and fine-tune your pictures as you rework them from speedy snapshots into actually compelling photos.
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Extra resources for Adobe Photoshop CS: Photographers' Guide
Each camera vendor's products save images in a proprietary RAW format, which, in some cases (such as Nikon and Canon) are TIFF files with special information embedded. Other cameras produce more esoteric RAW files. All RAW files require special software provided by the camera vendor or a third-party application that can interpret the files. Photoshop's RAW Support Photoshop CS now includes a Camera RAW plug-in (which was formerly an extra-cost option with Photoshop 7) that works quite well. It can be used only with the particular digital cameras that Adobe supports, typically from Nikon, Canon, or Konica Minolta.
First, let's define the area to be blurred using two separate alpha channels, one for the far background we want heavily blurred, and one for the near background and foreground we want partially blurred. 1. Press Q to enter Quick Mask mode. NOTE QUICK MASK MODE'S MODES Quick Mask can operate two ways: you can paint the selection or mask, or you can paint the unselected, unprotected portion of your image. It doesn't matter which mode you use, but many Photoshop veterans prefer to paint the selection itself, so that's what I'll assume you're using throughout this book.
31. 31. This sunset picture could use a little livening up. 2. The first thing to do is brighten the picture a little and give it more zip. Choose Image > Adjustments > Hue/Saturation. Move the Hue slider to -33 and the Saturation slider to +40. 32. 32. Adjusting the saturation and hue of the image provides a bit more zip. 3. 33. 33. The Lens Flare dialog box offers a choice of four different lens types. 41 42 4. You can choose to imitate the lens flare typically produced by four different types of lenses, a 50-300mm zoom, as well as 35mm and 105mm prime (single focal length) lenses.