By Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans
To be accomplished in 12 volumes, this huge paintings the following starts off publication with the 1st volumes—Abaco to Bertie and Bertin to Byzard. whilst accomplished, it's anticipated that the biographical dictionary will contain information on greater than 8,500 individuals. Hundreds of published assets were hunted for this undertaking, and dozens of repositories combed, and the names of body of workers indexed were filtered via parish registers at any time when attainable. From released and unpublished resources, from wills, files societies and guilds, from files of faculties, universities, and golf equipment, and from the contributions of selfless students, the authors have right here assembled fabric which illuminates theatrical and musical job in London within the 1660–1800 period. The details the following collected will no doubt be augmented through different specialists in recovery and eighteenth-century theatre and drama, however it isn't really most probably that the variety of people referred to now without doubt or conjectured eventually to were attached with theatrical enterprise during this interval will ever be increased significantly. definitely, the contributions made right here upload immeasurably to present wisdom, and in a few situations right common histories or reference works. The accompanying illustrations, estimated to be a few 1,400 likenesses—at least one photograph of every topic for whom a portrait exists—may end up to be a useful function of the paintings. The authors have long gone past embellishment of the textual content, and feature tried to record all original pics any wisdom of that's now recoverable, and feature attempted to ascertain the current place of pictures in each medium.
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Extra info for A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800
But we have excluded anonymous fauna like Costello's dogs. We have excluded "sleeping partners"people who provided financial backing but were neuters so far as the active direction of production was concerned (like Congreve at the Queen's Theatre)as well as financial partners who briefly attempted more active management of affairs but who were prevented from interfering by their professional partners (Rutherford, Dagge, Leake, and Mrs Powell, for example, in the early troubled years of Colman's management at Covent Garden).
They lent us to the task when they had better claims on our time and energies; and on many occasions they actually joined the enterprise. Special tributes are due Mrs Highfill and Mrs Burnim, who many times unselfishly sacrificed their other concerns to keep our apparatus from smothering us. They efficiently filed and transcribed, summer after summer. Mrs Highfill read all copy. Both wives patiently listened for decades to the peculiar woes of the mass biographer. We thank them as well for their forbearance and love as for the active assistance with which they have helped us to this conclusion.
In 1787 J. Nixon published a slightly caricatured print by W. N. " Abel was painted several times by Gainsborough. A large oil portrait by that artist is at the Henry E. Huntington Art Gallery, San Marino, California. A small oil partial copy of this work was owned in 1936 by the Dowager Lady Hillingdon and was loaned to the Sassoon Gainsborough Exhibition and identified as of "J. C. " An unfinished "Mr Abel" was in Mrs Gainsborough's sale of 1797. An oil portrait by Robineau is at Hampton Court.